Chronology
2019 ff
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Exploring new Continents… ongoing… (Beech wood, 2001) |
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On the road with wood, Performances, 1982 et seq. |
2014 ff
Studio in Schlosswil, Berne, Switzerland
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2014
Publication *Momentum*, Kunsthalle Wiesbaden, Germany
2013
Art Exhibition Trubschachen, Switzerland, In- and Outdoorshttp://www.ausstellung-trubschachen.ch/de/archiv.html
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2012 ff
Wood and Charcoal Wood is in the center of my artistical research – therefore fire and charcoal are an obvious subject
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"Downtown Inferno", Limetree, 1999 |
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„Caran d’Ache“, Boxes of coloring pencils, Raiffeisenbank Kiesental, 2013 |
2008
Work Stay in Genua Projects and Exhibition around number Pi = 3.14159265359….
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Pi – from the left and backwards – Page 24 (Decimal places 42‘781 to 44‘640) |
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Pi – From the left and backwards – Page 23 (Decimal places 40‘921 to 42‘780) |
2007
Publication *Forstrevier 3* Kunstraum Dornbirn, Austria
2006
Work Stay in Beijing, China Publication "Have a Seat, please":Observations at Beijing Construction Sites: Installations and Interventions at Platform China, 798 Project Space, Dashanzi Art District, Beijing
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„eleven chairs“, Beijing, 2006 |
2005
Show of the Body of Work – Château Kiesen, CH-Kiesen Monographical Publication: Book: *Working with Wood*
2004
Publication *50 Miniatures* small objects carried out with the chain saw
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„still connected“, Limetree, 2004 |
2002
Publication of *Travel Diary*
2001
First Lettering-Imagery in the open
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„Letters from Afar“, Cape of Good Hope, South Africa, 2001 |
2001 / 2002
Exhibitions and Land Art Projects in Australia, South Africa and Japan
2001
Prix Fems – Grant by the Edouard & Maurice Sandoz Foundation, CH-Lausanne
1999 / 2000
On the Road – Land Art projects and Exhibitions in Canada and the USA
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„opened Lodgepole-Pines“, Okanagen Mountain,Canada, 2000 |
1998
First large Tree Trunk Archives
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„Site of Crime Grauholz – Opening up the Archives“, Sculpture Trail Grauholz, 1998 |
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Sketch for the Tree Trunk Archive, 1998 |
1996
First large spheres
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Alder-Spheres, CH-Schangnau, 1996 |
1995 ff
Blood-red (Ferritin 3.0 / Hemoglobin 7.0 – Remains on canvas)
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Blood-red on canvas, 1995 |
1995 ff
lefthanded – the left hand is consciously and equally included in artistic expression – Separation of lettering and drawing is nullified
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„with left“, 1996 |
1994 - 2015
Studio in Münsingen, Bern, Switzerland
1992 / 1993
Study Visit in New York (Art Students League / Manhatten Graphic Center)
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Times Square, New York, 1992 |
1991
Publication - Book “Portraying the Emmental” (Sketches and Woodcuts from the Emmental)
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„Bookcover of “Portraying the Emmental”, 1991 |
1988 - 1992
Studio at the old spa hotel Rüttihubelbad, Walkringen, Switzerland Sketches and Drawings to the theme «the world is round» as well as enlarging perspective
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Panorama View Sketch, Spa Hotel Rüttihubelbad, 1989 |
1987 ff
Landscapes, ambient conditions, sculptures, objects and interventions are equally incorporated within the present situation and the living moment and fleeing moments are photographically documented
1986
Journey to India
1986 - 2000
Intermittently working as course instructor in further training for teachers and providers for creative holidays
1985
First big tree trunk sculptures - outset of working with the chain saw
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Work in Progress |
1982 - 1988
Studio in Lützelflüh, Emmental Turning to woodcuts (including experiences in all other print techniques)
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Fankhus, Thalgraben (Studio 1982-1988) | I and the world, woodcut 1982 |
1982
First journey to the US
1980
Sketching replaces photography – all of the outdoors becomes my studio.
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„Schybegütsch and Böli“, Schönisey, Kemmeriboden-Bad, litographic chalk |
1980 - 1985
School of Arts, Berne, Switzerland(various modules in graphic art design and as auto didactical sculptor)
1979
First Exhibition
1976
my own black and white photographic laboratory – experimental photography – photographic art designIndoor situations as well as landscapes are arranged and changed (first land art interventions)
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Our Earth, photographic art design 1980 | „open landscape - closed door“, photographic art design 1980 |
1973 ff
Inspired and impressed by modern architecture and fascinated by the art of the surrealists like Dali, Magritte and M.C. Escher and especially by the drawings, woodcuts and etchings of Gustave Doré I dreamed to become an artist or architect myself.
1959
Born and raised in Langnau (Emmental) and Konolfingen, Switzerland